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Their atmosphere evokes the coulisses of peculiar perspective seen in early 20 th century metaphysical painting. The motif of the human face is a recurrent subject of Imre Baks endeavours in painting since the mid-1960s. Studying the portrayal of the human face in archaic craft objects, Imre Bak was primarily intrigued by methods of reduction and questions of arrangement, with special regard to the relationship between different motifs.
The hyphenation of the words in the compound word which is the title of both the series and the exhibition further emphasises this analytic approach.